Rock Painting
Guddiri Studies
Languages and Rock Paintings in Northeastern Nigeria
Edited by: Wilhelm Seidensticker †, Michael Broß, Ahmad Tela Baba †. With a preface by: Norbert Cyffer. With an introduction by: Wilhelm Seidensticker †, Ahmad Tela Baba †, Michael Bross. With contributions by: Michael Broß, Yusuf Mtaku, Hajara Njidda, Wilhelm Seidensticker †, Ahmad Tela Baba †. Series edited by: Herrmann Jungraithmayr, Norbert Cyffer.
Series: WeStu Westafrikanische Studien Volume 16
1997175 pp.
6 maps, 73 illustrations
Text language(s): English
Format: 160 x 240 mm
300 g
Paperback
€ 39.80
Buy 'Guddiri Studies' as a downloadable PDF document directly from our online shop »
Order 'Guddiri Studies' as print edition »
The present volume has been dedicated to the memory of Wilhelm Seidensticker (1938–1996). It contains five contributions by Nigerian and German scholars on the history of language and culture of the Guddiri region in Northeastern Nigeria. Being situated between the powerful Hausa city states westwards and the kingdom of Borno eastwards, the Guddiri region functions as a sort of buffer zone and has been exposed to frequent changes in prevailing economical and social circumstances during the last centuries.
The linguistic and cultural changes are examined on the basis of three different kinds of sources: Firstly, linguistic sources are taken into account, among them ancient word lists which have been discovered only recently. Another source material is oral traditions which were recorded by civil servants of the colonies at the beginning of the century. And finally, the well-known rock paintings found in the regions of Bauchi, Birnin Kudu, Shira and Uba in Northeastern Nigeria serve as the third kind of source material for this study.
CONTENTS
Norbert Cyffer: In Memoriam Wilhelm Seidensticker (1938–1996)
Ahmad Tela Baba: Lexicographical Approach to the History of Language Movement in the Guddiri Hausa Speaking Area
Michael Broß: Some Remarks on the History of the Extinct Languages Auyo, Shira and Teshena
Wilhelm Seidensticker: The Rock Paintings and Rock Gongs of Shira
Hajara Njidda: TA GHENCIDU – Study of Marghi Rock Paintings
Christopher Yusuf Mtaku: The Rock Paintings of Birnin Kudu, Geji, and Bauchi
Bibliography
Under these links you will find further publications on rock art / epigraphic research, both in monographs and in paper collections:
Accompanying material:
- « Parcours berbères »
(ISBN 978-3-89645-933-6 ) - Die libysch-berberischen Inschriften der Kanarischen Inseln in ihrem Felsbildkontext
(ISBN 978-3-89645-942-8 ) - Origin and Development of the Libyco-Berber Script
(ISBN 978-3-89645-394-5 ) - Rock Paintings of the Klein Karoo and a Link to a Local Story
(ISBN 978-3-89645-879-7 ) - Studies in Honour of Enno Littmann
(ISBN 978-3-89645-681-6 )
Cross-reference:
- Études berbères VI – Essais sur la syntaxe et autres articles
(ISBN 978-3-89645-935-0 ) - Multidisciplinary Views on the Horn of Africa
(ISBN 978-3-89645-683-0 ) - Towards Interdisciplinarity
(ISBN 978-3-89645-886-5 )
Reviews
Among the publications on African tradition which in the last few decades were mostly related to the reconstruction of languages, the book under review is unique for two reasons. First, in searching for the history of African people not only languages but also other aspects of their cultural life are taken into consideration. Second, mere linguistic features are not related to the development of particular languages but are interpreted in terms of language contacts which are characteristic of the situation in the region discussed. Last but not least, the book presents the results of work done within the joint project in which African and European scholars contribute their knowledge and experience on interpretation of African tradition. Such an attitude towards the question of studying the history for which we do not have written sources is an interesting proposal for the methodology in African studies. [...]
Concluding, it can be stated that the book indicates the lack of written sources does not prevent reliable reconstructions, whether of linguistic or other types. “Guddiri Studies” is a painstaking study of this kind, containing thorough analysis, oral tradition supports linguistic data, the latter make historical facts manifested in rock paintings credible.
Nina Pawlak in Afrika und Übersee, 81/1998, 312-314
« back | Print version | [top] |