In this area we present books, electronic publications, journals, articles and monographs dealing with music and the
anthropology of music in a non-European context.
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Jules Bagalwa–Mapatano: "La chanson populaire politique face à la violence politique au Congo-Zaïre
post-Mobutu", in: African Media
Cultures - Transdisciplinary Perspectives · Cultures de médias en Afrique - Perspectives
transdisciplinaires, pp. 193-214.
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Getie Gelaye: "Text analysis in children's songs in Amharic", in:
Aktuelle Forschungen zu afrikanischen
Sprachen. Sprachwissenschaftliche Beiträge zum 14. Afrikanistentag, Hamburg 11.–14. Oktober 2000, pp.
291-305.
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Werner Graebner: "Mambo - Moderne Textformen und rezente Sprachentwicklung in Dar es Salaam", in:
Swahili Handbuch, pp. 263-277.
[deals, among other things, with the taarab, a variety of modern popular music among the Swahili]
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Werner Graebner: "The Interaction of Swahili Taarab Music and the Record Industry. A Historical
Perspective (Tanzania)", in: African Media Cultures - Transdisciplinary Perspectives · Cultures de médias en
Afrique - Perspectives transdisciplinaires, pp. 171-192.
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Hans Peter Hahn: "Musikinstrumente", in: Die materielle Kultur der Konkomba, Kabyé und Lamba in Nord-Togo, pp. 218-228. [contains
descriptions and illustrations of musical instruments of the described ehtnic groups]
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Emmanuelle Olivier: "Bushman vocal music - The illusion of polyphony", in:
Language, Identity, and
Conceptualization among the Khoisan, pp. 359-370.
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Katrin Pfeiffer: "Taaling Songs", in: Mandinka Spoken Art, pp. 296-307. [taaling songs means the combination of folk
tales and accompanying music among the Mandinka]
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Rainer Polak: "Die Kommerzialisierung der Hochzeitsfestmusik in Bamako", in:
Blick nach vorn. Festgabe für
Gerd Spittler zum 65. Geburtstag, pp. 235-249.
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Michael Schlottner: "Oral Traditions concerning musical instruments in north-eastern Ghana", in:
Perspektiven afrikanistischer
Forschung, pp. 339-341.
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Hugh van Skyhawk: "Underground Music in Gilgit", in:
CAK 4 Karakorum - Hindukush - Himalaya: Dynamics of Change, pp. 663-672. [deals with the
popular socially critical songs called (Qiqit, Ticklings) by Ghulam Abbas
Golden alias Diro (The Bullet)]
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Raimund Vogels: "Kanuri Drum Ensembles - A Comparative Study of Mara, Ganga kura, Bala and Zowuzowu", in:
Advances in Kanuri Scholarship,
pp. 263-277.
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Hans-Ingolf Weier: "Liedformen in den Märchen der Sanga", in:
Sprachen und Sprachzeugnisse in
Afrika. Eine Sammlung philologischer Beiträge, Wilhelm J.G. Möhlig zum 60. Geburtstag zugeeignet, pp.
443-458.